- Grammofonplade
Koncert for klaver og orkester nr. 2, c-mol, opus 18 (Trifonov)
Af Sergej Rachmaninov (2018)
Henter beholdningsoplysninger.
Detaljer om materialet
Type
Grammofonplade
Format
2 grammofonplader, 1 cd
Genre
klaverkoncerter
Emneord
Emnetal
78.412:33 (Orkestermusik med soloinstrumenter)
Indhold
Koncert for klaver og orkester nr. 2, c-mol, opus 18Partita for violin nr. 3, E-dur, BWV 1006 (Præludium ; Gavotte ; Gigue)Koncert for klaver og orkester nr. 4, g-mol, opus 40
Beskrivelse
Live-optagelse, Verizon Hall, Kimmel Center, Philadelphia, Pennsylvania oktober 2015 (Klaverkoncert nr. 4) samt indspillet i Philadelphia, Pennsylvania 2018...
Forlag
Deutsche Grammophon
Målgruppe
voksenmaterialer
På hjemmesiden
- Nyhed
Musik til en afslappende stund
6 gode albums fra de sidste 60-70 år, der er gode til en søndag eftermiddag alene i sofaen. 2 gange jazz – 2 gange dansk sangerinde – 1 tur til Australien og lidt klassisk
Anmeldelser
Fono Forum, 2018 Dezember
"Eine hochambitionierte Produktion also, und die Erwartungen, die daraus erwachsen, scheinen sich anfangs voll zu erfüllen ... Bald allerdings beginnt zu irritieren, dass er und Dirigent Yannick Nézet-Séguin aus der Musik offenbar vor allem ein Maximum an gefühligem Sentiment herauszuholen versuchen"
The gramophone, 2018 November
"Trifonov is a gifted pianist, the Philadelphians have the music in their blood and Nézet-Séguin has an eye for detail and careful phrasing ... Overall, this is another fine, well-recorded addition to the lengthy discography but one which neither astonished nor moved me"
NDR.de, 2018-10-12
"Unter Trifonovs virtuosen Händen und mit Yannick Nézet-Séguin und dem Philadelphia Orchestra an seiner Seite sprudelt Rachmaninovs Musik, sie singt ausgelassen und beisst auch mal in den hohen Spitzentönen ... Majestästisch wirken die Interpretationen Trifonovs mit dem Orchester, technisch und klanglich über allem erhaben"
NDR.de, 2018-10-12
BBC music magazine, 2018 Christmas
"Trifonov is wonderfully alive to its mercurial piano writing, achieving astonishing crystalline delicacy in the elaborate filigree passage work and negotiating unexpected juxtapositions of mood, from romantic warmth and nostalgia (in the haunting slow movements) to irony and percussive rhythmic intensity (int the finale), with a sure sense of purpose. Yannick Nézet-Séguin and the superbly responsive Philadelphia Orchestra follow the soloist's every interpretative nuance"
Presto classical, 2018-10-12
"Recording of the week: What can one say about what must be one of the more frequently performed works in the concerto repertoire? Well, if you're Daniil Trifonov then the answer is "quite a lot" ... Both Trifonov and Nézet-Séguin seem pleasingly keen to avoid any hint of wallowing self-indulgence, and what comes across is the amount of detail there is, not just in the piano part but also in the orchestral writing"
Presto classical, 2018-10-12
The guardian, 2018-10-25
"These are performances of such musical awareness, tonal variety and dazzling virtuosity that even the Second, one of the most popular of all piano concertos, has every trace of routine and over-familiarity stripped away. Trifonov has the gift of making something compelling out of the least attention-seeking piano lines ... The woodwind playing is superb, but it's the simple eloquence of Trifonov's playing that constantly draws the ear"
The guardian, 2018-10-25
Diapason, 2018 novembre
"Vurdering: Diapason d'or"